Category: Design


A rose trained along a rope 'swag' between posts provides a permeable divider in the garden

A rose trained along a rope ‘swag’ between posts provides a permeable divider in the garden

Regular readers may recall that I recently mentioned my plans to run a second Garden Design course at Reepham, here in Norfolk. I’m pleased to say that this has now begun and I’m looking forward to working with the 8 enthusiastic participants over the next few weeks to come up with designs and ideas for their gardens.

Coincidentally, I was also contacted recently by one of the students on the first course, Angela, who lives in a village nearby. She updated me on what she’s done in her garden since the course and was trying to arrange a meeting with her fellow students to share progress and ideas. She also asked for some advice. As this raised an interesting issue, I thought I’d share it with you as this week’s ‘GQT’. Her question is:

‘We took out a hedge last year between our vegetable garden and the lawn.  Most of the hedge area plus a bit of lawn is now a border, and we’d like to put in some sort of screen where the hedge was.  We don’t want a solid screen and were thinking of espalier fruit trees.  However, we do not need any more fruit trees and I think something of winter interest would be better.  Thoughts so far include Pyracantha or maybe Cotoneaster.  Do you think Pyracantha would work?’

A Pyracantha hedge

A Pyracantha hedge

Well Angela, Pyracantha makes a lovely informal hedge, with spring flowers and autumn berries as well as evergreen foliage (see the picture above).

However the ones suitable for hedging can grow to 2 – 3 metres high (and can also be quite wide), so unless you keep it cut back it will provide a pretty dense and high screen, perhaps not what you were looking for? The Cotoneasters suitable for a hedge (e.g C. lacteus) have similar range of interest to Pyracantha and are also pretty dense and tall, unless kept in trim. But doing this rather defeats the object of an ‘informal’ hedge, unless you keep trimming to a minimal tidy up of loose ends!

If a more permeable screen is what you’re after, you could go for a backdrop of grasses that would add a lovely golden colour to a border at this time of year.

If they are in a sheltered spot they will stand tall and provide some winter interest (cut them to ground level in the spring); an example is Calamagrostis x acutiflora ‘Karl Foerster’. You could of course mix these along the line of the old hedge with evergreen shrubs (themselves with a variety of interest through the seasons). This would once again define the back of the border in an informal way, leaving ‘peep holes’ through the grasses into the garden beyond.

If you’re looking for something to provide a strong linear backdrop to your border but still give views through to the next garden, another idea might be to go for some sort of post and rail/rope structure (the latter is known as a ‘swag’- see the picture at the top of the article), or even a series of wide – opening trellis panels.

This then gives you the option of climbers to train up and along the wood/rope, but gives you views/glimpses through to what lies beyond. You could go for a mixture of climbers to give you a range of seasonal interest. Clematis of different varieties will give you flowers throughout the year, including winter flowers (e.g C. cirrhosa and its cultivars have winter flowers in creamy/ freckled shades and evergreen leaves). And some varieites give you other sorts of Autumn/winter interest. For example C. tangutica and it’s cultivars have some lovely ‘hairy’ seed heads that last into winter. Rambling/ climbing roses would also provide summer/early autumn flowers, followed by hips on some varieties. However, some of the Clematis (e.g cirrhosa) can get quite bushy so will need to be kept in check if you want to have views through – and the roses will also need pruning. Another option is to train a Pyracantha along a post and rail barrier to give you that ‘espalier’ effect you mentioned (see picture below).

Pyracantha coccinea trained along post and rails

Pyracantha coccinea trained along post and rails

Alternatively try one of the above options, but additionally introduce some winter interest directly into your border – e.g colourful stems from the various Cornus (Dogwoods), or foliage, flower and fragrance from any number of shrubs; e.g Daphne, Winter Jasmine, Eleagnus, Euonymus, various Viburnums etc.

Further information:

Hedge selector

10 AGM variegated evergreen shrubs- RHS

Hedge planting- RHS

All about Pyracantha

Related article:

GQT: Climbers as clothing… and as heighteners and dividers

Old School Gardener

If you’ve enjoyed reading this post and others on this blog, why not comment and join others by signing up for automatic updates via email (see side bar, above right ) or through an RSS feed (see top of page)?

934746_10151676747891970_1023613447_n“A different point of view”- tools to help you assess and get more from your garden.

13 October 2013, 10.00 – 4.00

Gressenhall Farm and Workhouse, Norfolk

Is your garden in need of a revamp or complete makeover, but you don’t know where or how to start? This workshop will help you assess your garden and what you want from it, grasp some of the basics of garden design and how to apply these to your own space.

I’ll be leading the workshop, which will be a mix of presentation, practical exercises and group discussion. Examples and case studies, together with the gardens at Gressenhall Farm and Workhouse, will be used to illustrate key points and inspire you to develop ideas for your garden.“A different point of view”- tools to help you assess and get more from your garden. 13 October 2013 10am - 4pm<br />

£32 per person / £28.50 for Museums Pass holders (including tea and coffee)

For more information and a booking form go to Gressenhall Adult Learning

Old School Gardener

If you’ve enjoyed reading this post and others on this blog, why not comment and join others by signing up for automatic updates via email (see side bar, above right ) or through an RSS feed (see top of page)?

IMG_6620Whilst on holiday near St. Ives, Cornwall, recently I took the chance to visit the Tate Art Gallery – something of an ‘icon’ of the town – and the Barbara Hepworth Sculpture museum and garden. The Tate is an impressive building, but I found it a little disappointing, mainly because of it’s relatively small display areas. There are plans afoot to expand the place and that should help to further strengthen its impact.

The Hepworth Garden, by contrast was a rich, intense experience and one which, despite many visitors, I was able to enjoy on a beautiful summer’s day. The Tate website provides the following background information:

‘Barbara Hepworth first came to live in Cornwall with her husband Ben Nicholson and their young family at the outbreak of war in 1939. She lived and worked in Trewyn studios – now the Barbara Hepworth Museum – from 1949 until her death in 1975. Following her wish to establish her home and studio as a museum of her work, Trewyn Studio and much of the artist’s work remaining there was given to the nation and placed in the care of the Tate Gallery in 1980.

Finding Trewyn Studio was a sort of magic’, wrote Barbara Hepworth. ‘Here was a studio, a yard and garden where I could work in open air and space.’ When she first arrived at Trewyn Studio, Hepworth was still largely preoccupied with stone and wood carving, but during the 1950s she increasingly made sculpture in bronze as well. This led her to create works on a more monumental scale, for which she used the garden as a viewing area. The bronzes now in the garden are seen in the environment for which they were created, and most are in the positions in which the artist herself placed them. The garden itself was laid out by Barbara Hepworth with help from a friend, the composer Priaulx Rainier.’

I particularly liked the way sculpture and planting are treated as complementary, the masses, textures and forms of the plants being used to echo or contrast with those of the sculpture and vice versa. There is also an amazing sense of space in this relatively small garden, achieved by the winding, gently rising and falling  path which opens up views across the garden to the sculptures which, together with some impressive trees, bamboos and shrubs provide height which draws your eye away from the boundaries of the garden, themselves clothed in plants.

A classic design trick for smaller gardens this – using features with height inside the space to draw the eye inwards, coupled with a masking of the boundaries to convey uncertainty about where the garden begins and ends. I hope that you enjoy the photo montage I snapped on a sunny day in August.

Further information:

Tate St. Ives and Hepworth Sculpture garden website

Old School Gardener

If you’ve enjoyed reading this post and others on this blog, why not comment and join others by signing up for automatic updates via email (see side bar, above right ) or through an RSS feed (see top of page)?

agrilife.orgThis is the first in a new series of articles aimed at providing some tips on using design successfully in your (or someone else’s) garden.

Do you have a disability? Maybe someone in your family isn’t as mobile as they were? Perhaps normal ageing processes are reducing your ability to garden in the way you once did? 

Disability can take many forms – it might affect someone from birth or early life or perhaps is the result of an accident or the processes of ageing. The UK Equality Act 2010 (which replaced the Disability Discrimination Act 1995) talks about a person having a disability ‘if you have a physical or mental impairment that has a ‘substantial’ and ‘long-term’ negative effect on your ability to do normal daily activities.’ The Act requires the providers of services to make ‘reasonable adjustments’ for a disabled person in any place which members of the public are permitted to enter, which includes public parks, gardens and other open spaces.

The Equality Act and associated design guidelines, which seek to remove obstacles to access, enjoyment and use of public spaces, is also a useful starting point when considering the design of a private garden or open space for someone with a disability. This covers people who are wheelchair users, have restricted mobility, sensory impairments or a learning disability, but also those who might be affected by the conditions that are associated with the normal process of ageing; e.g. loss of stamina, arthritis, declining vision and hearing and reduced balance.

Public parks are making it easier for disabled users

Public parks are making it easier for disabled users

As with any garden design project asking the client what he/she wants to do in their garden is the starting point – and absolutely essential if the client has a disability of some kind. Detailed assessment of their abilities, interests and disabilites can be obtained through more specific follow up questions:

  • how far can you walk?

  • how far can you bend?

  • has everything to be done from a wheelchair?

  • what do you see?

  • what can you hear?

As well as these questions it is important to observe the client in the garden, around the house etc. to see how they walk, bend, the shape of their body, how they make a cup of tea (lifting, holding, carrying skills). Often people with arthritis have coped for so long they can no longer describe how they move, so it’s important to watch them. So, taking careful and detailed note of the individual’s abilities and desires is the critical starting point  for any assessment and design of a garden for someone with a disability.

At this point its worth asking – is the disability of an order or kind that means their current garden can be suitably adapted, or do they need to think about moving or perhaps becoming involved in more communal gardening activity which is more in line with their ability and physical strength?

If the answer is that they can ‘stay put’, then options open include not only physical changes in the garden , but getting outside help for tasks like lawn care, hedge cutting, or one off construction projects. This might be paid contractors but could also be helpful friends, relatives or neighbours. When looking at the garden, it might also be possible to change a person’s gardening routines and practices, such as installing raised beds if they can’t bend over or are wheelchair bound; installing automatic irrigation systems; making paths easier to use by putting lights along them, clearing vegetation away from them and perhaps putting in more defined edges as well as levelling uneven surfaces to make routes more obvious and less of a ‘trip and slip’ hazard.

Water features can be important in gardens designed to stimulate the senses

Water features can be important in gardens designed to stimulate the senses

Paths and seats

But it’s also important to look carefully at things like the gradients of paths. Following recommended standards can result in ramps or other structures which do not meet the wider or particular needs of the individual. For instance whilst a ramp might be perfectly in line with the standards, the user might be wary of using it because they are afraid the ramp will make them lose control of their wheelchair and they will go crashing into a low wall at a T junction at the end of the ramp’s run. A more suitable alternative might be to install a longer ramp (with a gentler gradient) going in a different direction and/or removing the low wall.

Path widths are another area that will repay close attention. A 1.2 metre wide path may not be wide enough for someone in a wheelchair who is being pushed – try to imagine pushing the person and trying to constantly get past the chair to talk to the person face to face, rather than constantly taking to the back of their head! With restricted or no sight, or a hearing impairment, a muffled or hidden face heightens the level of disability. And think about  a space where the wheelchair (or perhaps someone with a guide dog) can stop  and there is comfortable space for the carer/assistant/friend to sit alongside the wheelchair user for a chat. So think a parking space for the wheelchair alongside a conventional seat might be a good idea.

Paths also need spaces where turning is possible for both pushed and self propelled wheelchairs. If the client has restricted mobility but does not use a wheelchair, think about seat heights and surrounding space to allow for comfortable descent and ascent from the seat. The number of seats in a garden for someone with arthritis may need to be increased to make it easy for them to take frequent rests while walking about or gardening.

Path and other hard surfaces shouldn’t be totally smooth and slippery (especially when wet), but also not so ‘riven’ that they give a bumpy wheelchair ride. Resin – bonded gravel works well and looks good, though it is relatively expensive. Ensure that the client can get in and out of their house comfortably- how do they lift their legs over a door threshold? What surface do their feet connect with? Risers may need to be lower than the standard 150mm, and people with inflexible ankles may need steps rather than ramps.

'Disability' extends way beyond wheelchair users

‘Disability’ extends way beyond wheelchair users

Beds and borders

Design beds and borders with the abilities as well as the interests and desires of the client in mind. Checking the ability to bend over comfortably (including from a wheelchair or mobility scooter) is critical in deciding the height and size of any raised beds, For some garden tasks – clipping low hedges for instance – the wheelchair/scooter user may already be at the perfect height!

When it comes to planting, the usual considerations apply:

  • what’s the climate (and any microclimates) like?

  • what space is there?

  • what is the aspect?

  • what sort of soil is there?

  • what are the irrigation options?

But it’s also especially important to think about the senses of the disabled client and respond to their abilities as well as disabilities. So, can heightened attention be given to specific sensual experiences in the garden’s planting? For example planting  herbs for smell, planting things to touch – e.g. furry leaves such as Stachys byzantina (‘Lamb’s Ears’),things to taste straight from the plant (vegetables, fruit, flowers, leaves etc.) and planting grasses and other plants that create interesting sounds (and maybe also things that help to reduce noise pollution from outside the garden). It’s also worth thinking about how your planting will support wildlife. Getting any ‘free’ helpers in the garden by planting nectar rich plants or those that provide a habitat will all help to reduce the gardening burden for the disabled person. Planting should also be chosen which gives a range of visual interests – textures of foliage, bark etc; seasonal changes in leaf, bark and form; different heights and shapes by the way plants are grouped and massed.

Down sizing

But what if the client’s garden is just too big and can’t be easily managed? The option of garden ‘down sizing’ (perhaps coinciding with a reduced size house too) is a choice that suits many people, especially as age related disability starts to affect them. One option might be to offer part of the garden to a friend or neighbour to manage as a sort of allotment, What remains or perhaps a new, smaller garden area, can still provide varied and interesting gardening. Patios, courtyards, terraces and balconies all offer possibilities through container gardening (the larger the better to reduce the need for watering).

These containers should be frost proof and of a weight when full of soil and plants that means they can be moved (if this is required) – or perhaps they can be mounted on wheeled platforms available from garden centres. Window boxes are another useful option for balcony railings or window sills. These ‘shrunken gardens’ can be planted to give all year round interest (perhaps including some evergreen shrubs for instance) as well as low maintenance plants (e.g. bulbs and shrubs), height variation (perhaps by adding a trellis to the back of a container to allow a climber to be grown), using hanging baskets with pulley systems to make it easier to lower and raise them for watering (and/or using a ‘watering wand’).

Communal gardening

Finally, it may be that the client is no longer able to manage the full range of garden tasks and a more communal approach is appropriate. Sheltered, supported housing and residential homes often provide a communal gardening space which the residents maintain, perhaps with some outside help. Just as with the individual disabled person, where communal gardens are being  set up or developed it is important to involve the residents in the design process. Spending time talking to and understanding them and teasing out what sorts of garden they would like is vital, as is the involvement of care staff who will have another perspective on the way the garden can be used. For example, a garden with lots of hard landscaping might make sense for clients with a restricted mobility or who are wheelchair users. Similarly the planning of routes around the garden and the views out of individual bedrooms/ apartments are important design considerations

For the individual a more communal style of gardening offers scope for learning new knowledge and skills as well as sharing their own. This ‘garden therapy’ can extend into bringing in specialist assistance and advice, creation of libraries of gardening books/ other resources and provision of meeting places and outings to maintain and foster residents’ interest in the garden and gardening.

An accessible water feature

An accessible water feature

Different disabilities lead to different design responses and focuses, and whilst it’s tempting to focus on the needs of those who are wheelchair users, there are other conditions that are just as important. For example:

  • Arthritis reduces bodily strength, endurance and flexibility so start by looking at adapting tools, get special devices and modify gardening routines to cope – e.g cushioned hand grips, adjustable handles, different sizing options on tools. in time more fundamental changes to the layout of the garden may be needed.

  • Hypertension can be helped through gardening activity and so reduce the risk of heart disease – 30 minutes of moderate exercise a day is recommended!

  • Visual impairment may lead to a loss of focus or sense of depth, so ‘fine tune’ the garden: perhaps add ramps; improve storage of hoses; and refine gardening  tasks. Taping different tools in different colours can aid recognition – and retrieval from borders!

  • Reduced balance suggests a need for smooth walking surfaces, with good grip/traction, hand rails. Levelling uneven grass and paved surfaces, adding raised beds and seating at key points in the garden may all help.

Special tools can be useful for the disabled gardener

Special tools can be useful for the disabled gardener

To sum up – talking to the disabled person and achieving a detailed understanding of their desires, interests and abilities as well as their disabilities is critical when considering the design of a new garden or adaptation of an existing one. There are many ways of making the garden easier to access and easier to use and garden in. The client must know that you have listened and the design must show this and be owned by the client – even if that’s a close relative or yourself!

Sources:

‘The Age Proof Garden’ – Patty Cassidy (Arness Publishing 2012)

‘Go Easy’ – Bella D’Arcy (Garden Design Journal November 2008)- see an extended article here

Further information:

Thrive- ‘Carry on Gardening’ – tips on garden design for disabled people

Gardening grants for the disabled

Accessible Gardens for persons with a disabilities- US Extension Learning Network

Raised bed gardening- Wiklipedia

Videojug videos on gardens for physically impaired people and others

Study of Sensory Gardens

Alzheimer’s Disease garden planning- Ask

Garden Design for all disabled gardeners – Pinterest

Equality Act 2012

Gardening for Disabled Trust

Old School Gardener

If you’ve enjoyed reading this post and others on this blog, why not comment and join others by signing up for automatic updates via email (see side bar, above right ) or through an RSS feed (see top of page)?

greenbenchramblings's avatargreenbenchramblings

Our Rill Garden was beginning to look a little jaded, mostly due to the edging paving sinking and coming loose. In places the level of the edging was uneven and sloping randomly. We decided it needed a revamp. The first job was to take the old edging paving up and clean off the old concrete. It took no time to get up the edging but it took a long time to chip off all the old concrete and chip off each bit until the back of the slabs were clean enough to re-lay.

2013 09 11_3379

“Matilda”, our sculptured figure admires our handiwork. She looks satisfied with how we have cleaned up the slabs.

. 2013 09 11_3380

We had to get the plants up so we lifted them pots and all into some of our plastic garden trugs. They need dividing so this proved to be a good opportunity.

2013 09 11_3381

After a few days we had…

View original post 67 more words

Want to improve the attractiveness and functioning of your garden? Then read on...

Want to improve the attractiveness and functioning of your garden? Then read on…

The Reepham Learning Community, here in Norfolk, offers a range of courses in the evenings and during the day in a wide range of topics. I’m hoping to run my second course on Garden Design, commencing next Monday, 23rd September, 7pm – 9pm at Reepham High School & College.

It’s a six session programme using a mixture of discussion, presentation and surgery – type advice to individuals who want to apply some design thinking  to their own gardens. The course will help you:

  • think about what you want from your garden
  • use different ways of appraising and surveying your current plot
  • with an introduction to different garden styles
  • understand what is meant by strong garden structure and appropriate, attractive planting, and
  • how to put this all together in a scale drawing of your future plans.

It also features a garden visit to see some of the principles of garden design in practice and encourage a critical approach to assessing gardens.

The first course involved 9 participants, a good-sized group allowing for a healthy level of discussion and individual attention. I know those that took part felt better equipped to tackle their own garden development after sharing issues and ideas, seeing examples of well designed gardens and picking up some key skills and tips along the way.

The next course is close to achieving a viable number of participants, so if you or someone you know is interested in getting some help in designing their own garden then please see more information at www.reephamlearningcommunity.co.uk or call Sandie Athow on 01603 308133.

Oh, and by the way, later in the coming week I’ll be starting a new series of articles focusing on design  tips to improve your garden. The series-  called’ Design my Garden’ –  will start with a few thoughts about designing a garden for someone who has some sort of disability.

Old School Gardener

I seem to be collecting examples of cunning recycling projects to add stylish features or practical items to the garden or other outside spaces. Here is my latest batch, most provided by the Facebook site 1001 Pallets – why not pay them a visit? And if you have plans for a project of your own, or even better some pictures of what you’ve achieved, I’d love to hear from you!

First some projects involving children…

Next, some seating ideas…

A few garden storage and planting projects…

Finally, some really bold creations…

Old School Gardener

If you’ve enjoyed reading this post and others on this blog, why not comment and join others by signing up for automatic updates via email (see side bar, above right ) or through an RSS feed (see top of page)?

Related articles:

More pallet projects

Recycling in the Garden: widening the net

Even more Pallet Power

Pallet Projects – more creative ideas

Polished Primary Pallet Planters

Pallets Plus –  more examples of recycled wood in the garden

Pallet Power- the sequel

Pallet Power

Raised beds on the cheap

PicPost: Designer Stubble

Chateau de Hautefort, Dordogne, France – via Richard Wright

IMG_6568

On my recent West Country holiday I had the pleasure or revisiting the Minack Open Air Theatre, perched on a clifftop on the Cornish coast. It must be thirty years since I was last here and it’s certainly been developed, with new visitor facilities and altogether a more organised feel to things.

The play, which told the tale of 19th century Australian convicts acting out a play, was entertaining, but of greater impact were the sub tropical gardens that weave themselves in and out of the amphitheatre planned, financed and created between 1931 and 1983 by one determined woman – Rowena Cade. And of course, the setting. This overlooks the English Channel, and as we were there for an evening performance, one of the fullest moons ever came to dominate the scene as darkness fell.

Oh, and towards the end a large, speeding helicopter suddenly emerged from behind the bluff on which the theatre sits – congratulations to the actors who seemed unmoved by this sudden intrusion!

Here are a few shots of the evening to give you a sense of the gardens, setting and the occasion.

Further information:

Minack theatre website

Old School Gardener

If you’ve enjoyed reading this post and others on this blog, why not comment and join others by signing up for automatic updates via email (see side bar, above right ) or through an RSS feed (see top of page)?

PicPost: Pebble Dash

Finding Nature

Nature Connectedness Research Blog by Prof. Miles Richardson

Norfolk Green Care Network

Connecting People with Nature

Discover WordPress

A daily selection of the best content published on WordPress, collected for you by humans who love to read.

Susan Rushton

Celebrating gardens, photography and a creative life

Unlocking Landscapes

Writing, photography and more by Daniel Greenwood

Alphabet Ravine

Lydia Rae Bush Poetry

TIME GENTS

Australian Pub Project, Established 2013

Vanha Talo Suomi

The Journey from Finnish Rintamamiestalo to Arboretum & Gardens

Marigolds and Gin

Because even in chaos, there’s always gin and a good story …

Bits & Tidbits

RANDOM BITS & MORE TIDBITS

Rambling in the Garden

.....and nurturing my soul

The Interpretation Game

Cultural Heritage and the Digital Economy

pbmGarden

Sense of place, purpose, rejuvenation and joy

SISSINGHURST GARDEN

Notes from the Gardeners...

Deep Green Permaculture

Connecting People to Nature, Empowering People to Live Sustainably

BloominBootiful

A girl and her garden :)