Tag Archive: landscape


PicPost: Devil May Care

Devil’s Dyke, West Sussex by John Miller and NT images

The term “devil-may-care” (also sometimes as phrase “devil may care”) is used as an adjective. Used to describe an attitude or person, it has two meanings:

(1) cheerfully irresponsible — carefree, happy-go-lucky;
or
(2) marked by a carefree unconventionality — rakish or reckless in manner.

Old School Gardener

 

IMG_7411I recently featured a poem by a former neighbour, Jack Kett. I’ve now picked up one of the books of his poems and thought some of these are so evocative of the landscape around me here in Norfolk, that I’d feature a few more. So here’s the first as we end September…..

‘September morning, with the warm sun growing

In warmth and brightness, scattering mists of pearl,

Which round the waking village flow and furl.

And see, the top of the church tower is glowing,

Splendid, sunlit, above the misty sea,

Now ebbing  fast to set the morning free.

Along the hedgerow countless dying weeds

Show one last beauty in their feathered seeds.

The chattering sparrows wheel, and wheel again

Across the stubble field, and by the lane,

Among the dew-drenched grasses hardly seen,

Yet showing rarely a sun-gilded sheen,

A silver maze of gossamer is spread,

While all around hang berries, richly red.’

‘September Morning’ by John Kett from ‘A late lark Singing’ (Minerva Press 1997)

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PicPost: God's Fingers

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Rosemary Topping and Teeside from Gribdale via Andrea Brown

Roseberry Topping and Teeside from Gribdale via Andrea Brown

947383_664957856864808_1555731404_niLandscape.com

PicPost: On the border

Hadrian’s Wall

poppylandI love the North Norfolk coast and as it’s only 20 miles away I visit frequently. If you’re a visitor from further afield,  you might find a mix of holiday hotels, caravans, mobile homes and retirement bungalows. You might see only the faded charms of Cromer’s Victorian heydays coupled with its ‘kiss me quick’ seaside amusements. Look beyond these modern, man-made novelties to the natural world and the landscape retains it’s exhilarating sweep and historic romance that once drew poets and millionaires.

‘Poppyland’  stretches around the north-east arc of the Norfolk coast and takes in Sheringham, Cromer, Overstrand, Sidestrand and Mundesley. The romantic creation  of late 19th century theatre critic, travel writer and minor poet, Clement Scott, ‘Poppyland’ came to embody an area of quiet, rural, fishing backwaters which were soon to change, not least because of Scott’s popularising of the place through his writings as well as the arrival of the railway. This came a few years before his first visit, and the area soon became the ‘must see’ place for the Victorian well (and not so well) to do.

 

Scott’s arrival in Cromer in 1883 was not a promising one. Affronted at the locals lack of recognition of the “dramatic critic of the Daily Telegraph and it’s leading travel writer” he quickly moved on to nearby Overstrand and Sidestrand. Here, he not only found accommodation, but also fell in love with his host’s 19 year old daughter, Louie Jermy. This romantic entanglement seems never to have been fully acknowledged, due to Victorian propriety – Scott was already married. This romantic attraction, coupled with his appreciation of the area’s beauty led him to create ‘’Poppyland’’. He went on to write about Sidestrand’s lonely church tower, teetering on the cliff edge and its churchyard “Garden of Sleep”. The tower eventually toppled over the edge of the cliff in 1916.  The main body of the 14th century church (St Michael’s), had been removed (brick by brick), from its previous site to somewhere safer about three years before Scott’s discovery. The tower seems to have been abandoned as a more recent, less important addition to the ancient church.

 

Staying at the local Mill House with miller Alfred Jermy, his daughter Louie became Scott’s “Maid of the Mill”.  Scott had discovered a rural idyll and was to capture its essence in his poem ‘The Garden of Sleep’

The Garden of Sleep

On the grass of the cliff, at the edge of the steep,

God planted a garden – a garden of sleep!

‘Neath the blue of sky, in the green of the corn,

It is there that the regal red poppies are born!

Brief days of desire, and long dreams of delight,

They are mine when Poppy-Land cometh in sight.

In music of distance, with eyes that are wet,

It is there I remember, and there I forget!

O! heart of my heart! where the poppies are born,

I am waiting for thee, in the hush of the corn.
     Sleep!     Sleep!

From the Cliff to the Deep!    

Sleep, my Poppy-Land,
    Sleep!

In my garden of sleep, where red poppies are spread, I wait for the living, alone with the dead!

For a tower in ruins stands guard o’er the deep,

At whose feet are green graves of dear women asleep!

Did they love as I love, when they lived by the sea?

Did they wait as I wait, for the days that may be?

Was it hope or fulfilling that entered each breast,

Ere death gave release, and the poppies gave rest?

O! life of my life! on the cliffs by the sea,

By the graves in the grass, I am waiting for thee!      Sleep!     Sleep!                   

In the Dews of the Deep!                                

Sleep, my Poppy-Land,    Sleep!

Scott returned time and again to the forsaken “Garden”,  which became the focal point of the ‘Poppyland’ legend. Scott had many London contacts in the theatrical world, and these and his writings led a number of them and others from London society to come to the area. Some had houses built in Overstrand –  for a while the village was the place to visit. The Edwardian architect Sir Edwin Lutyens (he of partnership with Gertude Jekyll fame), designed some of these houses, including Overstrand Hall and The Pleasaunce as well as the more modest Methodist Church. A large hotel was also built on the cliff edge, though this slid into the sea in the 1950s! Land slips still affect the cliffs today (and make for an exciting cliff top walk).

A memorial water trough in Cromer bears the inscription: ‘To Clement Scott- who by his pen immortalised PoppyLand’. Though Scott wasn’t a particularly inspired poet, his writing helped to kick-start the Norfolk tourist industry. Today, however, fields of poppies are a rare sight due to modern farming techniques. The railway line which brought the early tourists to Poppyland is still operated as part of the national network as far as Sheringham. Here, an old station has become one end of a heritage line (the North Norfolk Railway) which runs to Holt, and is often referred to as the ‘Poppy Line’.

The memorial Water Trough- now planter - in Cromer

The memorial Water Trough- now planter – in Cromer

Poppyland’ still attracts holidaymakers. Resorts like Cromer still show the faded hallmarks of their Victorian splendour and more recent investment in the Pier, its surrounding promenades and the wider area has reinvigorated the place. Despite this, Scott would probably still recognise the landscape with its wonderful cliff – top and beach – side walks as well as the interesting villages and towns which retain a low – key attractiveness (including a beach top cafe in Overstrand that does a nice line in afternoon tea and cakes).

This is an historic landscape with loads of natural and man-made interest – if you’ve been please let me know your experiences, if not, I hope that you’ll get to visit soon.

Link:

Poppyland and the Jermy Family

Old School Gardener

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In this latest article about different garden styles I turn my attention to Country Gardens, trying to capture their essence in a few words and images.

Country Gardens are usually fairly large (in some senses they can be seen as a larger version of the Cottage Garden). They tend to follow a pattern of straight-line formality or other clear geometrical shape near to the house, with increasing informality as you move further away, where the garden becomes more and more integrated with the surrounding countryside. Likewise, planting tends to be more formal near the house (possibly featuring topiarised shrubs), but becomes more naturalistic towards the edges. Other key features of Country Gardens are:

  • Luxuriant planting

  • Large pools and/or streams

  • Views into the surrounding landscape, sometimes ‘framed’ by boundaries or planting

  • Sweeping lawns

  • Hedging and other screens that might divide up the garden into different areas

  • Natural materials, especially as the garden moves away from the house

  • Garden structures, furniture or specimen plants that act as eye catchers/ focal points

Let me know what you think makes a Country style garden, and if you have some pictures I’d love to see them!

Other posts in the series:

Modernist Gardens

Formal Gardens

Mediterranean Gardens

Cottage gardens

Old School Gardener

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PicPost: Heavens above

Wensum Way playful landscaThis is my first post profiling some of the ‘Playful Landscapes’ I’ve created in the last few years.

Wensum Way play area, on the southern side of the Norfolk market town of Fakenham, is a sloping site surrounded by housing on three sides and private woodland with public access on the fourth. I was commissioned by North Norfolk District Council to design, produce specifications, assist with procurement and project manage the building of the new play area. The budget was £65,000, funded by a combination of money from the Government  Playbuilder  programme and local Housing Associations. The brief was to create a challenging play experience for mainly older children, including teenagers.

The Council carried out consultation exercises with local people, including children, and the findings informed the final design.  Given the size of the site, budget constraints and proximity of housing (some occupied by elderly residents) this project was a challenge, but a combination of keen pricing by the equipment suppliers and landscapers plus use of ‘custom built’ landscape features, has resulted in a varied popular design. This includes turfed mounds and banks of new planting (both provide screening and play value) and a scooped out ‘bowl’ plus a timber-backed ‘performance area’. There is a mixture of standard play/ sports equipment and wooden posts, cubes, timber log slices and logs are all used to ctreatea range of gathering, imaginative and physical play spaces. The design also features a wild flower meadow, areas of longer grass and picnic tables for families visiting the space. The project was completed in June 2010.

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