Category: Design


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Vertical gardening and planting seems to be taking off. If it isn’t home-made planters for herbs and the like then its mega green walls in public places. Here are a few of the latest examples I’ve come across.

Old School Gardener

Bright_green_tree_-_WaikatoAs trees tend to be the largest and longest lived plants in the garden, they should be one of, if not THE first item to consider when designing or redesigning your garden.They rank alongside some of the hard landscaping elements (seats, arches, pergolas, arbours etc.) in helping to provide the ‘bones’ or structural framework of a garden i.e. the structure by which we navigate ourselves around the plot both visually and in terms of guiding our movement. Shrubs (especially evergreens), provide a similar service and should be thought about in conjunction with whether, where and what sorts of trees to include in a design or redesign.

Trees also offer a range of other potential sources of interest in a garden apart from their overall shape or form; leaf size shape and colour (which may vary from season to season), bark (colour, texture or special effects such as peeling or patterned), flowers and fruit (catkins, conkers, apples and so on).

In visual terms the planting of a tree or trees can have a dramatic effect on the layout (or form) and perspectives around the garden. They can be used as a focal point to draw the eye. This includes those planted as a ‘specimen’. Those planted in the foreground or middle distance help to increase the sense of depth or perspective in a garden, while those planted further away help to give a sense of scale to the overall space. So, in a small garden a large tree in the foreground and a small tree at the end will make the garden seem longer.

Leaf size and texture is another important consideration. If you want a strong shape to provide a key structural element all year round in the garden, then go for small leaved, evergreen varieties with distinctive shapes or which can be pruned (topiarised) into these- e.g. Box.

Horse Chestnut flower about to burst
Horse Chestnut flower about to burst

Why not take a look at your garden and ask if you have one or more trees that aren’t in the right place- are they are too tall, too broad, drying out the soil or causing shade where you don’t want it? Perhaps removal or pruning is the answer. Could you introduce a tree or two and help to strengthen what your garden has to offer- providing food or a home for birds, for example or adding a brilliant show of flowers or autumn leaf colour?

Traditionally we seem to have used trees in gardens as stand alone ‘specimens’, often in an island in the middle of a lawn for example. Today, with the wide range of trees available and with characteristics that suit almost any situation, its possible to be a bit freer with how we use them- in groups or among other planting in borders.

If you are using a tree as a specimen think about its positioning carefully- if it’s planted by itself without any surrounding planting to soften its impact, it will be a focal point from the start, and as it grows bigger this impact will become even more pronounced.

If planting several trees together, including adding one or two to an existing group, think about their ultimate height and spread. As in nature, some trees grow well together; eg. Betula pendula, or ‘Silver Birch’- see my recent article in the A-Z of Trees series. The wild cherry (Prunus avium), is another example. So as with any other tree planting think carefully about their ultimate height and spread and allow room for them to grow. If you want to give a denser appearance in the time it takes the trees to mature, try growing them closer together, but expect to remove some as they mature to allow the remaining ones to grow to full size.

When planting more than one tree together in an area of grass, the relationship of one to another will determine the effect and this can change depending on where you are in the garden. A good idea is to use large posts or bamboo canes to mark their positions. Try out different positions to see what effect you like the best. Look at the positioning from different places, including from inside the house. and remember to think about their ultimate height and width and what they might obscure or hide.

Chracterisitcs of the White Fir
Chracterisitcs of the White Fir

We tend to think short term when it comes to gardens- we want immediate impact or effect.

The danger here is that you’ll end up with something that outgrows its space and gives you problems- a classic example is the Monkey Puzzle tree (Araucaria araucana) that was planted in the front garden of a Victorian terrace house or villa and is now way too large and tottering precariously above and perhaps towards the house! So the speed of growth is also a consideration; very slow growing trees may take  30 years to have a significant impact, so if you want an impact over a shorter period than this, then that’s perhaps a good choice.

If you have a relatively small garden, don’t think that you can’t have any trees. Smaller varieities of many different types are often available, and by choosing trees that have a more conical or upward habit you can achieve an impact without having a major loss of garden space .

Planting trees too near to buildings is another common problem. Some have relatively compact root systems ; e.g. Birch (Betula), Sorbus, Hornbeam and Magnolia are good examples and rarely cause problems. However trees like Willow will seek out water and their roots are liable to invade drains if planted close by.

If an existing tree is of concern seek the advice of a qualified tree surgeon. and if you think a tree may be subject to a Tree Preservation Order, make sure you consult your local authority before doing anything to affect it. And always consider your neighbours- trees planted close to boundaries may look good from your side of the fence, but think about what impact the tree is going to have on your neighbour’s garden and house. The inconsiderate planting of hedges of Leylandii conifers is the most familiar example of the wrong species being chosen to achieve rapid but usually unattractive results. Left to its own device this tree will grow to well over 100′ high and it looks superb, so don’t expect it to enjoy continually being hacked back!

Old School Gardener

PicPost: Flower Power

Municipal Dreams's avatarMunicipal Dreams

The Mackworth Estate in Derby is a good example of the more ambitious of the new suburban council estates built after World War Two.  Its story – from founding vision to flawed fulfilment – tells us much about the evolution of social housing in the last seventy years.

Henley Green Henley Green

Derby, an industrial town with a proud railway and engineering heritage, had a strong tradition of council house construction.  The Borough Council had announced plans for 1000 council homes in 1919 – the first 16 completed were in Victory Road, more followed in Stenson Road.   In the 1930s, new housing estates were developed beyond the city centre in Chaddesden, Sinfin and Old Normanton.  By 1940, the Council had built over 7000 homes. (1)

Derby's earliest council housing on Victory Road Derby’s earliest council housing on Victory Road

Labour won control of the council in 1928 and regained power in 1934. It would retain control until boundary changes in 1968. …

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Some beautiful creations (man made and natural) all from wood.

‘Garden Art’?

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Old School Gardener

PicPost: Amazing

Glendurgan- The Maze, Cornwall via National Trust

It’s been a while since I gathered together examples of garden and outdoor projects involving the use of recycled or upcycled materials. The previous posts have continued to prove popular. Here’s another set of projects from the beautiful, through the practical to the completely wacky!

Old School Gardener

Municipal Dreams's avatarMunicipal Dreams

By 1914 Swansea was in the vanguard of council house building and design. The First World War initially dealt a blow to its ambitions but earlier progress left the council well-placed to capitalise on the post-war drive for ‘Homes for Heroes’ and the improved standards set.

Swansea was once a fashionable seaside resort but, come the Industrial Revolution, the town’s  proximity to coal resources and its port facilities (allowing the easy import of ores) led to it becoming one of the largest metal-smelting centres in the world.  No longer ‘the Brighton of Wales’, it was known as ‘Copperopolis’.

Copperopolis Copperopolis

Swansea’s population grew from a little over 6000 in 1801 to 94,500 by the end of the century and increased by a further 20,000 in the decade that followed. In 1852, 900 of the town’s 3500 homes were two-room court cottages, in-fills behind existing street frontages.  Cholera erupted in 1832 and 1849.

The Swansea Urban Sanitary Authority, spurred by a further cholera outbreak in…

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I love land art. You can often see it in protected landscapes or the grounds of important buildings. Sometimes, more riskily, it can be found in the open landscape, where it can make a wonderful contribution to an overall scene, aid interpretation of a place or maybe even just define a space that would otherwise be unremarkable.

I feel this way about wind turbines- I know that having them placed up against your plot might be a pain. Their numbers, groupings and locations do need careful thought, but I think we should embrace them more as potentially positive additions to our landscape (as well as out at sea). Rather than try to ‘hide’ them by leaving them creamy white, why not make more of them as land art – a clever paint job or perhaps adding some whimsical ornamentation could actually make them something we look forward to seeing.

Coming back to earth, or rather back to the garden, what about land art in a more domestic setting?

In my opinion, a lot of ‘off the shelf’ garden sculptures and other ‘features’ are just plain dull and many others too sickly sweet or twee to be given house room- or should I say garden room. We also sometimes place small, insignificant items in our gardens which are out of proportion and are soon ‘lost’. We really ought to be thinking big(ger).

Well, enough of my Monday rant, here are a few examples of some superb pieces of land/garden art in stone. What do you think of them and what about more land art in gardens?

Old School Gardener

IMG_8433My earlier article described how I put together a new wooden planter for my courtyard garden, made by Woodblocx. I’ve now finished it.

First, I gave the rough planed outside a sand down with a medium grade sanding disc, wiped it over and then applied two coats of Dulux Woodsheen (colour Ebony) to make the finished article match in with the other black planters in the garden. This gives it a nice semi gloss finish. I then fixed some hammer- in studs to the bottom to raise it slightly off the ground (to prevent it being in contact with standing water), and lined it with landscape fabric, stapled to the sides to give a neat finish. This will hold the soil in and also protect the inside surfaces of the planter.

The planter painted and lined, ready to fill.
The planter painted and lined, ready to fill.

I then made up a mix to fill it- roughly 3 parts soil, 2 parts compost and 2 parts horticultural grit, to ensure that the soil is free draining. Having really packed this in and slightly overfilled it to allow for settlement, I arranged a selection of alpine plants I’d bought from my local nursery (£12.50 for ten plants – I ended up buying 20 – and then a few more larger plants to give the planting a bit of structure).

The planter isn’t really large enough for me to create a more ‘mountain-like’ scene with rocks and crevices to create shady conditions, but hopefully the plants that need a shadier spot will be helped by the shade cast by the larger plants. To finish off or ‘dress’ the surface I used a bag of ‘Eco Aggregate’ – this is a range of recycled stones. I chose crushed terracotta (old tiles) which picks up the colours of some of the other terracotta pots, brickwork and floor pavers.

I’m pleased with the result – it will add an interesting feature to the courtyard and is low enough to be viewed from the seating next to it. What do you think? If you’re interested in finding out more about ‘Woodblocx’ click the link on the right hand side.

IMG_8434

Old School Gardener

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