Tag Archive: design


Planting Patterns #14

Amish Quilt gardens

Old School Gardener

Planting Patterns #13

Growing food in style- picking veg at the Eden Project, Cornwall

Old School Gardener

carpinus betulus autumn colourThis is the third in my new series on garden trees. I’ve also done an article about trees and garden design.

Common name: Hornbeam

Native areas: The 30–40 species occur across much of the north temperate regions, including the U.K., with the greatest number of species in east Asia, particularly China. Only two species occur in Europe, and only one in eastern North America. 

Historical notes: Traditionally, the timber of hornbeams has been used to produce mallets, skittles and even the moving parts of pianos! The common English name of “hornbeam” derives from the hardness of the wood (likened to ‘horn’) and the Old English ‘beam’, a tree (similar to the German for tree, “Baum”).

Pleached trees- picture RHS
Pleached trees- picture RHS

Features: A large, deciduous tree (growing to 20 metres plus), with a grey-fluted trunk and spreading canopy. It has ovate, ribbed and serrated edge leaves that turn a beautiful clear yellow in autumn. The flowers are wind-pollinated pendulous catkins, produced in spring. The male and female flowers are on separate catkins, but on the same tree (i.e it is monoecious). The fruit is a small nut about 3–6 mm long, held in a leafy bract; the bract may be either trilobed or a simple oval, and is slightly asymmetrical.

Uses:  Wonderful in a parkland setting, grown in groups, it also ideal for pleaching (i.e. training into a ‘hedge on stilts’) and for use along the edges of smaller gardens – just like here at Old School Garden. Received the Award of Garden Merit from the RHS in 2002.  Some of the cultivars are suitable for smaller gardens as their growth habit is more columnar.

Some of the cultivars available include:

‘Fastigiata’– a tree of medium size (10-15 metres in height) and with a pyramidal habit, slender in its youth. Suitable for smaller areas despite developing ‘middle age spread’ (it can grow out to  1o metres wide). Very effective if left feathered at the base to encourage gold and orange autumn leaf colour. Stiffly ascending branches give it a columnar shape, resembling Lombardy Poplar.

‘Fastigiata Frans Fontaine’- selected from a street in the Netherlands in the 1980’s this retains its columnar habit better than the ordinary ‘Fastigiata’ variety (3 metres wide after 25 years) so is even better suited to restricted areas.

‘Purpurea’-  medium height (10-15 metres), introduced in the 1870’s , this is well suited to arboretums and plant collections. Young leaves flush with a purple tinge and then gradually turn deep green and them a similar yellow to the species hornbeam in  autumn. Slower growing and ultimately smaller than the species tree. Well suited to heavier soils.

”Japonica’-  (Japanese hornbeam), introduced from Japan in 1895, a small (5-10 metres tall), rounded tree, very effective if pleached. Darker than the species tree, with heavily corrugated leaves, darker than the species tree. Attractive, prolific hop-like fruit. AGM in 2002

Growing conditions: hornbeams grow well in most soils, including clay and chalk and is useful for planting where there are poor planting conditions.

 Further information:

Wikipedia

RHS- Carpinus betulus

RHS- pleaching

Barcham trees directory

Old School Gardener

Planting Patterns #12

Wisteria tunnel at Kawachi fuji Gardens, Japan

Old School Gardener

 

ball of succulentsA ball of succulents- a whole new approach to carpet bedding!

Old School Gardener

Planting Patterns #8

Patterns to move through- Alliums and Laburnum tunnel= glorious

Old School Gardener

Bright_green_tree_-_WaikatoAs trees tend to be the largest and longest lived plants in the garden, they should be one of, if not THE first item to consider when designing or redesigning your garden.They rank alongside some of the hard landscaping elements (seats, arches, pergolas, arbours etc.) in helping to provide the ‘bones’ or structural framework of a garden i.e. the structure by which we navigate ourselves around the plot both visually and in terms of guiding our movement. Shrubs (especially evergreens), provide a similar service and should be thought about in conjunction with whether, where and what sorts of trees to include in a design or redesign.

Trees also offer a range of other potential sources of interest in a garden apart from their overall shape or form; leaf size shape and colour (which may vary from season to season), bark (colour, texture or special effects such as peeling or patterned), flowers and fruit (catkins, conkers, apples and so on).

In visual terms the planting of a tree or trees can have a dramatic effect on the layout (or form) and perspectives around the garden. They can be used as a focal point to draw the eye. This includes those planted as a ‘specimen’. Those planted in the foreground or middle distance help to increase the sense of depth or perspective in a garden, while those planted further away help to give a sense of scale to the overall space. So, in a small garden a large tree in the foreground and a small tree at the end will make the garden seem longer.

Leaf size and texture is another important consideration. If you want a strong shape to provide a key structural element all year round in the garden, then go for small leaved, evergreen varieties with distinctive shapes or which can be pruned (topiarised) into these- e.g. Box.

Horse Chestnut flower about to burst
Horse Chestnut flower about to burst

Why not take a look at your garden and ask if you have one or more trees that aren’t in the right place- are they are too tall, too broad, drying out the soil or causing shade where you don’t want it? Perhaps removal or pruning is the answer. Could you introduce a tree or two and help to strengthen what your garden has to offer- providing food or a home for birds, for example or adding a brilliant show of flowers or autumn leaf colour?

Traditionally we seem to have used trees in gardens as stand alone ‘specimens’, often in an island in the middle of a lawn for example. Today, with the wide range of trees available and with characteristics that suit almost any situation, its possible to be a bit freer with how we use them- in groups or among other planting in borders.

If you are using a tree as a specimen think about its positioning carefully- if it’s planted by itself without any surrounding planting to soften its impact, it will be a focal point from the start, and as it grows bigger this impact will become even more pronounced.

If planting several trees together, including adding one or two to an existing group, think about their ultimate height and spread. As in nature, some trees grow well together; eg. Betula pendula, or ‘Silver Birch’- see my recent article in the A-Z of Trees series. The wild cherry (Prunus avium), is another example. So as with any other tree planting think carefully about their ultimate height and spread and allow room for them to grow. If you want to give a denser appearance in the time it takes the trees to mature, try growing them closer together, but expect to remove some as they mature to allow the remaining ones to grow to full size.

When planting more than one tree together in an area of grass, the relationship of one to another will determine the effect and this can change depending on where you are in the garden. A good idea is to use large posts or bamboo canes to mark their positions. Try out different positions to see what effect you like the best. Look at the positioning from different places, including from inside the house. and remember to think about their ultimate height and width and what they might obscure or hide.

Chracterisitcs of the White Fir
Chracterisitcs of the White Fir

We tend to think short term when it comes to gardens- we want immediate impact or effect.

The danger here is that you’ll end up with something that outgrows its space and gives you problems- a classic example is the Monkey Puzzle tree (Araucaria araucana) that was planted in the front garden of a Victorian terrace house or villa and is now way too large and tottering precariously above and perhaps towards the house! So the speed of growth is also a consideration; very slow growing trees may take  30 years to have a significant impact, so if you want an impact over a shorter period than this, then that’s perhaps a good choice.

If you have a relatively small garden, don’t think that you can’t have any trees. Smaller varieities of many different types are often available, and by choosing trees that have a more conical or upward habit you can achieve an impact without having a major loss of garden space .

Planting trees too near to buildings is another common problem. Some have relatively compact root systems ; e.g. Birch (Betula), Sorbus, Hornbeam and Magnolia are good examples and rarely cause problems. However trees like Willow will seek out water and their roots are liable to invade drains if planted close by.

If an existing tree is of concern seek the advice of a qualified tree surgeon. and if you think a tree may be subject to a Tree Preservation Order, make sure you consult your local authority before doing anything to affect it. And always consider your neighbours- trees planted close to boundaries may look good from your side of the fence, but think about what impact the tree is going to have on your neighbour’s garden and house. The inconsiderate planting of hedges of Leylandii conifers is the most familiar example of the wrong species being chosen to achieve rapid but usually unattractive results. Left to its own device this tree will grow to well over 100′ high and it looks superb, so don’t expect it to enjoy continually being hacked back!

Old School Gardener

Some beautiful creations (man made and natural) all from wood.

‘Garden Art’?

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Old School Gardener

I love land art. You can often see it in protected landscapes or the grounds of important buildings. Sometimes, more riskily, it can be found in the open landscape, where it can make a wonderful contribution to an overall scene, aid interpretation of a place or maybe even just define a space that would otherwise be unremarkable.

I feel this way about wind turbines- I know that having them placed up against your plot might be a pain. Their numbers, groupings and locations do need careful thought, but I think we should embrace them more as potentially positive additions to our landscape (as well as out at sea). Rather than try to ‘hide’ them by leaving them creamy white, why not make more of them as land art – a clever paint job or perhaps adding some whimsical ornamentation could actually make them something we look forward to seeing.

Coming back to earth, or rather back to the garden, what about land art in a more domestic setting?

In my opinion, a lot of ‘off the shelf’ garden sculptures and other ‘features’ are just plain dull and many others too sickly sweet or twee to be given house room- or should I say garden room. We also sometimes place small, insignificant items in our gardens which are out of proportion and are soon ‘lost’. We really ought to be thinking big(ger).

Well, enough of my Monday rant, here are a few examples of some superb pieces of land/garden art in stone. What do you think of them and what about more land art in gardens?

Old School Gardener

IMG_8394You may remember my recent visit to Canterbury and the wealth of architectural detailing I found ‘over my head’. Well, visiting Chester at the weekend gave another opportunity to crane my neck and seek out some wonderful ornamentation and other building features in this largely late Victorian/ Edwardian ‘Mock Tudor’ set piece City Centre. Here are a few pictures to capture the spirit of the place. I’ll do a separate post with those I took in and around the cathedral.

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Old School Gardener

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