Category: Design


PicPost: Planting a breeze...

Garden Museum: Visits Programme 2014

lavendar

New programme just announced!

  1. Suffolk Study Day with Tom Hoblyn – Re-Scheduled for Spring 2014

  2. A Garden of Surprises at Burghley House, 12/03/14

  3. Design Study Day with Cleve West, 07/04/14

  4. Syde and Frampton Manor Gardens and Pan Global Plants, 25/06/14

  5. Longstock Park Water Garden & Houghton Lodge, Hants, 14/05/14

  6. Walking London Squares with Todd-Longstaffe-Gowan, 22/05/14

  7. Traditional Splendour in Cambridgeshire gardens, 05/06/14

  8. The Old Rectory with Dan Pearson and Rockcliffe House, Glouc,02/07/14

Old School Gardener

PicPost: Step up

succulent steps

Here we go again…this time some garden ideas for using pallets and other recycled items to create planting spaces (plus a couple of potting benches and some very effective – looking fencing)…

Old School Gardener

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PicPost: Moss Pit

Old School Gardener

My latest crop of ideas for creating useful and beautiful objects for the garden and outside (mostly from 1001 Pallets). Today a focus on chairs, benches, tables and associated ‘what nots’…

Old School Gardener

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Gold Medal Recycled Gardenupcycle by victoria wadeA beautiful show garden made from pallets and other recycled materials by Victoria Wade.

Old School Gardener

Dried flowers and stems of Miscanthus sinensis 'Morning Light' providing interest at RHS Garden Hyde Hall in March

Dried flowers and stems of Miscanthus sinensis ‘Morning Light’ providing March  interest at RHS Garden Hyde Hall

My previous post set out the background to the growth in popularity of grasses as border plants. I’ve come to appreciate their simple beauty and the way they can add a different dimension to the traditional herbaceous and mixed border and at the moment some of them are looking great in Old school Garden, especially as the low autumn sun catches their golden stems and heads.

So what are the ways you can use grasses to best effect in your garden?

They contribute in a number of ways – texture, light, colour and as structural elements in your overall garden framework (and some sound lovely as the breeze finds its way through them or their seed heads are rattled like mini maracas). Here are some thoughts gleaned (no pun intended) from the very useful book, ‘Grasses’ by Roger Grounds.

Texture

Most grass stems and leaves provide strong vertical or curved lines and are best used in contrast:

  • With other perennial broad – leaved plants (often most effective if seen from a distance),

  • With strong vertical lines like clipped Yew or the corners of buildings (where the grass has a curved or arching stem),

  • More subtle, unusual combinations (e.g. with Ferns),

  • Contrasting the ‘fuzzy’ flower heads of many grasses with those plants that have a more linear or defined form e.g. Digitalis, Lythrum, Achillea, Phlomis russelliana, Echinops and Allium giganteum

  • With other grasses that have different leaf form; e.g. the narrow leaves of Miscanthus sinensis ‘Gracillimus’ with the broad bold leaves of Arundo donax, or the wide, short leaves of Panicum alopecuroides.

  • At the front of borders to act as ‘veils’ through which other plants or a more distant landscape can be revealed.

Annual  grasses- complete their growth cycle in one growing season. Hardy varieties can withstand frost and most can be sown in autumn to over winter in the ground and germinate in spring. Tender grasses need to be sown once all risk of frost has passed. Many of these are perennial in frost-free climates.

Light

  • Position grasses to catch the sun, preferably against a dark backdrop to ‘light up’ the wider garden.

  • Use grasses to take advantage of the different tonal values of light as it changes from season to season and at different times of the day – especially the more mellow light of autumn and also early and late in the day as these are the times when the richest colours are revealed. I’ve positioned some Stipa gigantea (‘Golden Oat Grass’) to catch the low sun of late summer and autumn, and close to the house where we can see the full

  • Associate grasses with seasonal changes in perennials and foliage; e.g. in spring the foliage of grasses is more prominent so think about using bold coloured grass leaves as foils for spring flower colour- the yellow of Bowle’s Golden Grass with the blues of Bluebells for instance.

Cool season grasses- these start into growth in autumn, grow through the winter and flower in spring or early summer. Best planted among winter or spring- flowering perennials. Plants grown for their foliage, or among spring and early summer bulbs. Most then become dormant/semi dormant and so can be planted where summer flowers or other grasses can grow up to conceal their faded foliage. They can be divided or transplanted in spring or autumn.

Colour

  • Use the ‘washed out’ or subtle colours of grasses as a counterpoint to the richer colours in surrounding plants.

  • Grasses with coloured leaves can be used to reinforce a particular colour theme- reds with reds, blues with blues etc. As they last longer than many of the flowers around them, grasses help to maintain continuity in colour themed borders. Blues from grasses such as the varieties of Panicum virgatum, reds from Imperata cylindrica ‘Rubra’ (Japanese Blood Grass) and the yellow of Hakone grass (Hakonechloa macra ‘Aureola’). Yellow is the dominant colour of many grasses’ flower panicles, especially as they fade and the seed heads ripen to shades of amber, straw and gold.

Massing, grouping and markers

  • Grasses look best when grown in groups of three or more- though few gardens have the scope for mass planting. They can also be effective as specimens. Grasses planted as masses or groups should be spaced closer together than in smaller groups.

  • Many low growing grasses make excellent ground cover, and this can be an effective way of massing them in smaller gardens.

  • Taller grasses, or those with strong colouring can act as successful specimens or ‘markers’ in a garden, either planted by themselves or as accents in a border. Clumps of grasses can have a similar impact if planted to contrast with other surrounding grasses or plants.

  • More subtle ways of creating a focus include using grasses with distinctive flower or foliage forms; e.g. Calamagrostis brachytrica with its elongated ovoid flower panicles.

  • A repetition of specimen grasses in a strict rhythm along a border – especially if placed towards the middle of front of it – will impel the eye along its full length. A similar effect, but with less impact, can be achieved with taller grasses placed at the back of the border; e.g. Stipa gigantea.

Warm season grasses- these do not start into growth until late spring or early summer, so they are best planted among other perennials or shrubs that flower from midsummer to autumn. They can be left standing through winter to provide interest- especially when they are covered with raindrops, dew or frost. They should be transplanted or divided in early spring, once they have started into growth.

Seasons and sitings

  • Think about the ‘plant partners’ to go with your grasses, and use the key features of both to complement each other at different times of the year. For example combine a range of strong flower forms which use the structure of grasses to greatest effect; Umbellifers like Anthriscus; Spires like Veronicastrum virginicum; Ball-like or pincushion flowers like Echinops  and Knautia macedonica; loosely structured heads like Astilbe; daisy-like flowers such as Rudbeckia. If possible go for those with the longest flowering period.

  • Use grasses in special sites; e.g. as part of a meadow; as a larger scale ‘prairie’ planting or border; in woodland or shade; at the water’s edge.

Sedges, Rushes and Cat tails – though they generally look like grasses, these plants have taken a different evolutionary path and so vary in leaf and flower details, and also their growing needs. Sedges are large family of diverse plants, mostly from the cool temperate regions, enjoying cooler and damper conditions than most of the true grasses. Rushes are a smaller family with few garden-worthy plants though the woodrushes are often decorative as well as useful, for example as ground cover. Cat tails (or reedmaces or bullrushes)are a single genus family with aquatic or marginal plants that have conspicuous flower heads.

Source: ‘Grasses’ by Roger Grounds (RHS and Quadrille Publishing)

Linked article: Design my Garden: Grasses- first the background…

Further information: Garden design with grasses

Old School Gardener

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Flowers of Calamagrostis x acutiflora 'Karl Foerster'

Flowers of Calamagrostis x acutiflora ‘Karl Foerster’

 

OK, when you think ‘grass’ in the garden you’ll probably think ‘lawn’. Though they’re hard work to keep looking good and not the most environmentally friendly form of gardening, I do like the way a nice green sward sets off colourful and interesting borders. I’ve just given a part of my own lawn here at Old school Garden a bit of TLC, scarifying, aerating and treating with an Autumn ‘weed and feed’. However, living in one of the driest parts of the UK, means that lawn care can be rather disheartening, as it quickly turns brown in the summer.

But I’m not really here to talk about lawns. This and the next article in my new series aiming to help you with design tips for your garden, are focused on another use of grasses- in the border. When you think about it, grasses are probably the plant that humanity has cultivated the longest, albeit originally it was for food rather than aesthetic reasons. Grasses have been rather slower coming into our gardens, and then they have often been treated as ‘alien invaders’ to be pulled out and ‘dealt with’ as all ‘weeds’ are.

I suppose ornamental gardening did not really start in earnest until the seventeenth century and it was then that the first grass was listed as an ornamental plant- ‘Feather grass’ (Stipa pennata), grown for its long, feathery awns (needle thin bristles attached to the flowers of grasses and the things that often give them their golden glow as they catch the sunlight). This English native was listed in John Kingston Galpine’s Catalogue of 1782. A century later the famous ‘naturalistic’ gardener William Robinson was listing nearly 30 varieties in his classic book, ‘The English Flower Garden’. However only about twelve of these were used in gardens, and then as curiosities, as specimens amid the wider swathes of lawn grass.

Robinson, and later Gertrude Jekyll, were the founders of the Edwardian ‘naturalistic garden within formal bounds’ style (not forgetting my architectural and landscape designer hero, Sir Edwin Lutyens). Jekyll was specific about the placing of grasses – often close to water, but also in borders (e.g. Blue Lyme Grass or Elymus arenarius) and Luzula sylvatica (Common Woodrush) in woodland, used as ground cover.

Stipa gigantea

Stipa gigantea

 

Both Robinson and Jekyll were influential in America, where some grasses such as Miscanthus and Pampas grasses were proving popular, fitting in well in large American landscapes. This was the birth of the ‘prairie style’ of garden design in America where designers such as Jens Jensen and Frank Llloyd Wright led the way.

After a dip in popularity the style returned in the 1950’s, and at about the same time, on continental Europe nurserymen like German Karl Foerster (who’s given his name to one of my favourite grasses, Calamagrostis x acutiflora ‘Karl Foerster’), were assembling plants from around the world and associating them with the naturalistic style of garden design. Foerster was followed by another group of nurserymen who advocated the use of grasses in forming natural, self sustaining plant communities where pesticides and herbicides would not be necessary. Another stimulus was the growing awareness of climate change and the increased frequency of drought conditions, so choosing plants that could withstand these harsher times were a logical response.

Leaves of Miscanthus sinensis 'Zebrinus'- Zebra grass

Leaves of Miscanthus sinensis ‘Zebrinus’- Zebra grass

 

The combination of interest in North America and continental Europe led to the modern ‘new wave’ garden of designers like the Oehem van Sweden partnership in east coast America. From  here the ideas of naturalistic planting spread to South America under the patronage of designer Burle Marx and in more modern times via Dutchman Piet Oudulph, who has created some classic gardens in the UK and been very influential in the use of grasses and other ’prairie plants’ as stand alone designs, as well as leading to the increased use of grasses within traditional herbaceous and mixed borders.

This is how I use grasses in Old School Garden and in some of my designs for other gardens, e.g. the entrance border at Gressenhall Farm and Workhouse Museum, Norfolk.

So that’s the background to grasses in the garden – what are the design tips to follow?  My next article will tell all….

Part of the Piet Oudolph beds at RHS Wisley Gardens

Part of the Piet Oudolph – designed beds at RHS Wisley Gardens

 

Source: ‘Grasses’- Roger Grounds (RHS and Quadrille Publishing)

Further information: Prairie planting

Old School Gardener

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