Category: Design
Biomimetic Products- Exhibition
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Location of Emona within present day central Ljubljana, from: http://en.wikipedia.org/wiki/Emona
Ljubljana is celebrating 2000 years since Emona, a Roman settlement, was founded. Emona belonged to the province of Italy and had around 5000 inhabitants. Modern Ljubljana overlaps with site of old Emona. Roman remnants are to be seen in archaeological parks, galleries, architecture and museums across Ljubljana. I’ve found a ’73 year booklet about Emona frescoes yesterday. It is fascinating to discover Emona homes were as neatly decorated as they are today. I am particularly fond of floral motifs used on Emona frescoes , they tell us the story of nearby flora of the time , of the artists of the time, of the pigments used and of the social importance of the beauty that is telling its story even after 2000 years! Here are some illustrations from the booklet:
Ljudmila Plesničar Gec, Emonske freske, Ljubljana 1973
Imagine a Hampstead Garden Suburb built for working people. Better still, if you’re in London take the Tube and get off at Acton East and visit the Old Oak Estate where you’ll find just such an estate.
We’ve looked at the work of the LCC’s Architects’ Department Housing of the Working Classes branch before – at the Millbank Estate, at Totterdown Fields, and at the White Hart Lane Estate. These are all fine arts and crafts-inspired estates but to Susan Beattie, Old Oak stands as ‘the culminating achievement of the Council’s venture into garden suburb planning before the first world war’ – a work of ‘splendid maturity’. (1)
Rising costs of land and labour were forcing the LCC to look to what were then the London fringes. In 1905, the Council purchased 54 acres in Hammersmith from the Ecclesiastical Commissioners at a cost of £29,858. Eight acres…
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- Using focal points- including the more unusual- is an effective way of drawing the eye away from the edges of a space
Sometimes, especially with awkwardly shaped or smaller gardens, it makes sense to try and draw the eye from the outer boundaries and create a more pleasing and, apparently larger space. Here are seven ‘top tips’ for achieving this:
1. Put square and rectangular patios and lawns at 45/30/60 degrees to the side boundaries or use shapes for these and other flat areas which contrast with the outer shape of the garden.
2. Set paths to run at an angle to the garden boundaries in zig zags or dog leg style.
3. Make paths curved, meandering from side to side.

- Paths- including grass- and the border edges they create can be meandering to take the eye on a journey..
4. Fix structures such as trellis, pergolas and arches or plant hedges across the garden to interrupt the view and to create separate compartments.
5. Place groups of tall shrubs or trees at intervals in the line of sight to block views across or down the garden.
6. Use climbers and large shrubs, especially evergreens, to disguise solid formal boundary fences and to break up the straight lines, particularly the horizontal ones of fence/ wall tops.
7. Carefully place focal points to draw the eye in various chosen directions, positioning them so that they can be seen from different places in the garden.
Related article: Arbours and Pergolas in the Garden- 7 Top Tips
Old School Gardener
Here’s my latest trawl of interesting projects to enhance your garden. Most are from 1001 Pallets and a few from The Container Gardening Alliance.
Furniture…
Planting spaces…
and a few more unusual items….
Old School Gardener
‘Let us, then, begin by defining what a garden is, and what it ought to be. It is a piece of ground fenced off from cattle, and appropriated to the use and pleasure of man: it is or ought to be, cultivated and enriched by art, with such products as are not natural to this country, and consequently, it must be artificial in its treatment, and may, without impropriety, be so in its appearance; yet, there is so much of littleness in art, when compared with nature, that they cannot be well blended; it were, therefore, to be wished, that the exterior of a garden should be made to assimilate with park scenery, of the landscape of nature; the interior may then be laid out with all the variety, contrast, and even whim, that can produce pleasing objects to the eye.’
Humphry Repton- ‘Observations on the Theory and Practice of Landscape Gardening’, 1803
Hmmm. what do you think? Repton’s advice about blending the edges of a garden with it’s surrounding landscape has become a tenet of garden design, but what about his words on making the garden itself a clearly ‘man made’ feature? Is the phrase ‘natural garden’ a contradiction in terms?
Old School Gardener




















