Archive for October, 2013
Another one of the ‘Tre’s’ or ‘place’ in Cornish. Trengwainton was one of those west country gardens I visited during my summer holiday in West Cornwall and Devon. The estate and gardens are huge and richly varied, so I’ll devote this article and pictures to the wider estate and gardens along with some general background. A following post will focus on the fascinating walled garden.
Trengwainton, located in Madron, near Penzance, has been in the ownership of the National Trust since 1961. The garden is noted for its collection of exotic trees and shrubs as well as great views over Mount’s Bay and The Lizard peninsular. A house has stood here since at least the 16th century and was altered and extended in the 18th and 19th centuries (it’s now a listed building).
In 1814 the estate was bought by Rose Price, the son of a Jamaican sugar plantation owner. Trengwainton was sold following the loss of income resulting from the 1833 Emancipation Act (which freed slaves on the family’s Worthy Estate in Jamaica). In 1867 the property was bought by T S Bolitho whose family still live in Trengwainton House. Rose Price planted trees and built the walled gardens and in 1925 Sir Edward Bolitho and his head gardener Alfred Creek continued the development of the gardens. They were opened to the public, for the first time, in 1931. The Victoria Medal of Honour for Horticulture was awarded by the Royal Horticultural Society to Sir Edward in 1961 and in the same year he donated 98 acres to the National Trust.
The day of our visit was sunny and warm. The walk around the gardens was a delight. Exotic plantations (many created during the 1920’s craze for exotic, new plants), give way to a long, winding, uphill approach to the House, which is lined with meandering footpaths and dells with running water, masses of different hydrangeas in bloom, all under the dappled shade cast by many and varied trees. This opens out to a large lawn in front of the House and beyond this to a pretty elevated walk lined with Agapanthus and twin focal – point pavilions. This area affords spectacular views of the coastline – and is obviously also a good spot to learn kite flying!
The estate is famous for its spring show of Camellias and Azaleas. The late summer show from the Hydrangeas, Agapanthus, Fuchsias, ferns and exotics, was very impressive – I must return in the spring to compare! As part of its campaign to get children to do ’50 things before you’re 11 3/4′ there was an invitation to create some ‘Wild Art’ (I couldn’t resist) as well as the kite flying and other adventures – a great idea.
Sources and further information:
National Trust website
Wikipedia
Old School Gardener
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My recent post on the gardens at Calke Abbey, Derbyshire, proved very popular. I mentioned in that article that the house was fascinating because of the mixture of restored ‘as it would have been’ rooms, stuffed with elegant furniture, curious collections, animal heads, paintings etc. and alongside this the rather less grand, upper rooms with peeling paintwork and paper,a plethora of odds and ends, surplus to requirements and forgotten. Here is a gallery which I hope captures the essence of the house.
Related article:
The Garden that made me smile like a Cheshire Cat
Further information:
National Trust website
Old School Gardener
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Somewhere in urban America, sometime ago, this lad jumped. And what a leap as he sails toward the fence.
If anyone knows the photographer, the jumper or the story behind this photo, I’d love to hear from you.
I jumped from a swing in motion when I was a kid and lived to tell the tale. It never approached the drama or daredevilry of the image above but nevertheless my buddies and I felt like we were living a little on the edge.
My young kids are doing it now too. There are such looks of wonder, fear and elation rapidly shifting across their faces as they fling themselves through the air.
This is a concrete example of a playground activity where kids assess risk. It’s all about their own ability and judgment as they face off against gravity.
Check the facial expressions and aerial acrobatics of these jumpers captured…
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Thanks for the memories- Gressenhall Farm & Workhouse Gardens
‘Thordis Fridriksson visits the garden at the former Gressenhall workhouse, and finds the clock turned back both to the 1930s – and her own childhood….’
A lovely artilcle describing the gardens where I am a volunteer gardener.
Related articles:
From Paupers to Pippins – Orchard’s Secret History at Norfolk Museum
Down on the Farm – Gardens to ‘dye’ for at Norfolk Museum…
From Grand entrance to Grand Central at Norfolk Museum
Gypsies, tramps and thieves: garden where poor once trod at Norfolk Museum
Cottage Garden recreates 1930’s at Norfolk Museum
Old Workhouse Garden a wildlife oasis at Norfolk Museum
Unique Heritage Gardens at Norfolk Museum
Old School Gardener

Giant sculpture made of waste
The WEEE Man is a 3.3-tonne structure which represents the amount of waste electrical and electronic equipment (WEEE) the average British household throws away in a lifetime.

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Rudbeckia is a plant genus of 23 species, commonly called ‘Coneflowers’ and ‘Black-eyed-susans’. They are native to North America (‘prairie plants’) and are cultivated for their showy flower heads of yellow and orange, with a dark centre seed head, but there are also russet, bronze and mahogany tones. Mainly herbaceous perennials, some are annual or biennial.
They grow to between 0.5m and 3m tall, with simple or branched stems. The leaves are spirally arranged, and are between 5cm and 25 cm long. The flowers are daisy-like, with yellow or orange florets arranged in a prominent, cone-shaped head; “cone-shaped” because the ray florets tend to point out and down as the flower head opens.
A large number of species have been proposed within Rudbeckia, but most are now regarded as synonyms of a more restricted list. Several of these currently accepted species have a number of accepted varieties. Some of them (for example the Black-eyed Susan, R. hirta), are popular garden flowers, and prized for their long flowering times. There are many cultivars of these species.
The name Rudbeckia was given by Linnaeus in honour of his botany teacher at Uppsala University – Professor Olof Rudbeck (1660-1740), and his father (also Professor Olaf – 1630-1702). Rudbeckia shares the common name ‘coneflower’ with other plants in the Asteraceae family – Echinacea, Dracopis and Ratibida.
Rudbeckias are not particular about soil, but do best in soil that is not too rich, with well-draining conditions. Rudbeckias love sunshine but R. laciniata and R. hirta (syn. gloriosa) will grow happily in dappled shade provided they have adequate moisture. Their blooms brighten up shadowy places wonderfully. The flowers are daisy-like and can be single, semi double and fully double. Rudbeckias flower for a long period from late July well into autumn. Some of the varieties available include:
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R. fulgida var. sullivantii ‘Goldsturm’ – The standard for Rudbeckia. Long blooming and virtually pest free (60cm)
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R. hirta ‘Cherokee Sunset’ – Double and semi-double flowers in shades of yellow, orange, red, bronze and mahogany. Short lived, but re-seeds itself (60cm)
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R. hirta ‘Indian Summer’ – Traditional daisy-like, large yellow flowers. Short lived, but re-seeds itself or grow as an annual. (1m-1.2m)
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Rudbeckia ‘Toto Rustic’ – A dwarf Rudbeckia in autumn colors. There are also golden ‘Toto’ & pale ‘Toto Lemon’.
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R. maxima Giant Coneflower – 12cm flowers and large leaves on an imposing plant (1.3m – 2.5m)
R. maxima (the ‘Great Coneflower’ or ‘Cabbage-leaved Coneflower’) is a favourite variety – It is an elegant plant with flowers with tall, black central cones which launch themselves upwards as its long petals droop downwards. Its foliage – unique among coneflowers – is a rosette of long paddle-shaped glaucous leaves, each with an elongated stem. Because it is late into flower it sometimes gets put at the back of a border, but it is a star performer that should be used nearer the front where its beautiful blue-grey foliage can be appreciated. Another advantage is that its flower stems are almost bare, so are easy to see through.
Rudbeckia work equally well as a complement to blue and purple flowers, like Russian sage and Veronica and mixed in with other jewel tones, like Sedum ‘Herbstfreude’, Purple Echinacea and Asters. Rudbeckia also make great cut flowers and even the seed heads will hold up in arrangements. Some plant combinations to try:
R. fulgida var. deamii with aster ‘Little Carlow’.
R. ‘Goldquelle’, lightened up with the airy wands of Gaura lindheimeri among it and foamy Calamintha nepetoides at its feet.
R. maxima with big-leaved plants such as bananas, hedychiums and ricinus for a late-summer ‘jungle’ effect.
Keep plants well watered the first season, to get them established. Once established, they will be quite drought resistant. A mulch of compost should be all the feeding they need. Regular deadheading of the faded flowers will keep the plants in bloom longer. You can let the last flowers of the season remain on the plants to go to seed and feed the birds, but you will also get a good deal of self-seeding. All perennial Rudbeckia can be increased by dividing clumps in spring or taking basal cuttings.
Sources and further information:
Wikipedia
Growing R. laciniata ‘Herbstonne’ – RHS
Growing R. fulgida– Daily Telegraph
Choosing and growing Rudbeckia- About.com
Rudbeckias- special perennials.com
Old School Gardener
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The Mediterranean Biome comprises of plants from the Mediterranean Basin, South Africa, California, a Citrus Grove, a Vineyard. The sweet aromas of herbs and citrus plants hang in the air

You can stop off at the Eden Bakery on your way through to the Rain-forest
Biome.

The Rain-forest Biome comprises of lush Tropical island, West African and Tropical South American plants
A bit about the Biomes…
You could fit the Tower of London in the Rain-forest Biome. The Guinness Book of Records heralds the Biomes as the biggest conservatories in the world. Building these ‘lean-to greenhouses’ on an uneven surface that changed shape was tricky: ‘bubbles’ were used because they can settle on any shaped surface – the architect got the idea while washing up!
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