Archive for March, 2013


I know we should be making play areas more challenging, but...

Wensum Way playful landscaThis is my first post profiling some of the ‘Playful Landscapes’ I’ve created in the last few years.

Wensum Way play area, on the southern side of the Norfolk market town of Fakenham, is a sloping site surrounded by housing on three sides and private woodland with public access on the fourth. I was commissioned by North Norfolk District Council to design, produce specifications, assist with procurement and project manage the building of the new play area. The budget was £65,000, funded by a combination of money from the Government  Playbuilder  programme and local Housing Associations. The brief was to create a challenging play experience for mainly older children, including teenagers.

The Council carried out consultation exercises with local people, including children, and the findings informed the final design.  Given the size of the site, budget constraints and proximity of housing (some occupied by elderly residents) this project was a challenge, but a combination of keen pricing by the equipment suppliers and landscapers plus use of ‘custom built’ landscape features, has resulted in a varied popular design. This includes turfed mounds and banks of new planting (both provide screening and play value) and a scooped out ‘bowl’ plus a timber-backed ‘performance area’. There is a mixture of standard play/ sports equipment and wooden posts, cubes, timber log slices and logs are all used to ctreatea range of gathering, imaginative and physical play spaces. The design also features a wild flower meadow, areas of longer grass and picnic tables for families visiting the space. The project was completed in June 2010.

PicPost: 'One of the most important trees in the world..'

‘Trees articulate Oxford’s distinctive skyline of spires and domes and as such provide a seasonally changing foreground and frame to the landscape setting. From certain western viewpoints, the sylvan ridgescape of Headington provides a green backdrop to the city. In lower lying land, ribbon belts of trees delineate the two rivers, associated streams, canals and meadows within the boundaries of the city.

Trees enhance and soften the scene by acting as a foil to architecture and this impact can be due to very small numbers or indeed individual specimens. For instance, the Sycamore sandwiched between All Souls and Queen’s College punctuates the long gentle curve of the High Street. Apart from probably being one of the most photographed trees in England, the town planner Thomas Sharp described the tree ‘…as one of the most important in the world: without it, the scene would suffer greatly’.

Source: Oxford City Council website

Campanula persicifolia

Campanula persicifolia

A very large genus, with some 300 species, including annuals and biennials as well as perennials. Campanulas are native to southern Europe, Turkey and Asia, and are found in wide range of habitats. Therefore the different species can have very different cultivation requirements. On the whole, they are undemanding and like dappled shade or sun in a well drained, fertile soil.

Campanulas vary in habit from dwarf arctic and alpine species under 5 cm high, to large temperate grassland and woodland species growing to 2 m tall. So there is a Campanula to fit most garden situations, from wall plants to borders, with different habits of trailing, spreading or clump – forming. Taller varieties may need staking.

The flowers have a wide variety of shapes, between star-shaped to bell-shaped (The ‘Bellflower’ is the common name for the genus) and variations in between.

Campanula poscharskyana (Serbian Bellflower)

Campanula poscharskyana (Serbian Bellflower)

Campanula takesimana 'Alba' with Cotinus

Campanula takesimana ‘Alba’ with Cotinus

Campanula lactiflora - seed heads

Campanula lactiflora – seed heads

Campanula glomerata  'Superba'

Campanula glomerata ‘Superba’

Campanulas have a long flowering season – late spring through summer. Some are rather invasive, so think about where you place these and keep an eye on them – or alternatively grow them in pots or other containers; examples are C. persicifolia (which also self seeds around the garden), C. pulla and C. takesimana.

They can be subject to attack by slugs and snails. Propagate by seed or division, cutting back old flowers and foliage in the autumn. Good for alpine beds, rockeries, ground cover and in borders and also good cut flowers. Campanulas partner well with Lamb’s Ear (Stachys), Lady’s Mantle (Alchemilla), Columbine, and Roses. Their delicate form and cool colors complement many other perennials.

Further information:

Campanula ‘Bernice’

Pictures of Campanula and other info

Rare Campanulas

Growing Campanulas

Quizzicals: answers to those on the last A-Z post- 

  • Helen drives a French car – Citronella
  • The era of the taxi – Cabbage

Old School Gardener

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Picpost: Fairies

Impatiens bequaertii

Norfolk Beefing apples before cooking

Norfolk Beefing apples before cooking

The orchard at Gressenhall Farm and Workhouse Museum, Norfolk, conceals a sacred secret – it was once the workhouse burial ground, where paupers were interred in simple, unmarked graves. And there appears to be no record of who is buried where.

Today the area serves as a demonstration plot for a wide range of Norfolk fruit trees, especially apples. A field gate displays a large number of plaques recording donations of different Norfolk apple trees to the orchard.

Gate to the Orchard showing plaques recording different varieties of donated Norfolk apple trees

Gate to the Orchard showing plaques recording different varieties of donated Norfolk apple trees

One famous local variety, the ‘Norfolk Beefing’ (or ‘biffen/biffin’), is a cooking apple of some reknown. It is recorded as far back as the 1690’s on Lord Walpole’s estate at Mannington, Norfolk. Cottagers used to pick the apples and wrapped them in  straw for a while in a warm oven, after which they would be squashed down and baked again. The final apples were packed in boxes and sent to London where they were a real delicacy, known as a ‘Biffin’.

A Norfolk Biffin after cooking

A Norfolk Biffin after cooking

Biffin/Beefing apples have very tough skins, which allows them to be baked whole, and then preserved cold. Apparently when cooked this way they are “creamy with hints of cinnamon and nutmeg”.  They were mentioned in Dickens’ story “Holly Tree” and also in “A Christmas Carol” :

“Norfolk Biffins, squab and swarthy, setting off the yellow of oranges and lemons, and in the great compactness of their juicy persons, urgently entreating and beseeching to be carried home in paper bags and eaten after dinner.”

Nearby, lies the site of a former Windmill. This can be seen if you look carefully at one of the earliest paintings of the workhouse, by Kerrison. Built in 1781, the Mill provided the workhouse with meal and flour for about 50 years. The Workhouse Master would buy a year’s supply of wheat from the local markets and this was then ground at he Mill.

In 1783, records show that William Pulling (of nearby Shipdham) was the Miller and was paid 6d a week (in old pence, or 2.5 new pence!).

By 1829 just a baker was employed, suggesting that the windmill was no longer in use. In 1837 the remains of the mill were removed. This was just one of the special buildings or rooms set aside for meeting the food and drink requirements of the workhouse, it having had a brewery as well as a bakehouse and kitchens!

Early painting of Gressenhall Workhouse (Kerrison) with windmill ringed in red

Early painting of Gressenhall Workhouse (Kerrison) with windmill ringed in red

Next to this site sits the modern compost making area, well organised and used by the volunteer gardeners to improve the soil and mulch the gardens at the Museum. Originally designed for maintenance by farm machinery, it became under used and recently has been reorganised so that the gardeners can maintain it. A system of different bays provide for the different stages of turning vegetable matter into compost (including stems and branches which are periodically chipped into smaller pieces and incorporated into the mix). There are also areas for creating leaf mould, for depositing paper waste generated by the Museum (which is incorporated into the compost) and also a turf mound which will eventually decompose into a fine loam for use in the gardens. The resulting compost is of a coarse texture, but rich in organic matter which is so good for improving soil structure, moisture retention and adding nutrients to the soil.

apple dayThe Museum  hosts an annual ‘Apple Day’ in October which is a great family day out with a range of stalls, activities and attractions including the fresh pressing of apple juice and an opportunity to bring along any ‘mystery apples’  to get them identified by a number of local experts. This lively event contrasts with the peace of the orchard, which is a fitting commemoration of those buried here long ago.

Other posts in  this series:

Down on the Farm – Gardens to ‘dye’ for at Norfolk Museum…

From Grand entrance to Grand Central at Norfolk Museum

Gypsies, tramps and thieves: garden where poor once trod at Norfolk Museum

Cottage Garden recreates 1930’s at Norfolk Museum

Old Workhouse Garden a wildlife oasis at Norfolk Museum

Unique Heritage Gardens at Norfolk Museum

Gressenhall's orchard - a peaceful place to remember the unamed poor once buried here

Gressenhall’s orchard – a peaceful place to remember the unamed poor once buried here

Old School Gardener

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PicPost: Lollipop

PicPost: Great Garden @ Park Guell, Barcelona

Park Guell is one of the most impressive public parks in the world. The park is located in Barcelona and was designed by famous architect Antonio Gaudi.

Gaudi planned and directed the construction of the park from 1900 to 1914 for Eusebi Guell for a residential park intended for sixty single- family residences. The project, however, was unsuccessful and the park became city property in 1923. Though never fully completed, it still remains one of Gaudi’s most colorful and playful works.

Park Guell, intended to serve Guell’s private city, became all of Barcelona’s, then the world’s favourite. Gaudi let loose his imagination.

While for houses he drew on natural forms, here he shaped nature into colonnades, archways and covered galleries with well-camouflaged artificial structures.

It’s a playground for the mind: visual jokes, like columns that simulate palm-tree trunks, rubble-surfaced arches that grow out of the ground, quilts of ceramic tiles. A graceful gazebo is made of twisted angle iron – cheap to make, looks good, does not lie about its material yet its shape is as softly curved as climbing vines.’ (Park Guell website)

Old School Gardener

PicPost: Hang in there

PicPost: Roots

Picture taken at Stourhead, Wiltshire

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