Archive for January, 2014


IMG_7088I frequently visit this wonderful Jacobean Mansion and more particularly it’s gardens and parkland. After all it is just 7 miles from home. A  walk around the park after a Christmas Day ‘brunch’ has become something of a family institution, often complete with festive headwear!

I try to visit the gardens at different times of the year as they offer something for every season, and back in September I was keen to experience the late summer colour festival of its herbaceous and other plantings. At this time of year it’s mix of formal and informal styles is most evident.

Coincidentally, there was a splendid event going on to celebrate the role of the Hall in the Second World War, including people dressed in military uniforms and plenty of vehicles and ‘kit’ from the time. This is my photo record of my most recent visit along with a very good summary of the gardens’ history and features from Wikipedia:

‘A house and garden existed at Blickling before the estate was purchased by the Boleyn family in the 1450s, but no records survive to give an indication of their appearance. After Sir Henry Hobart acquired the estate in 1616, he remodelled the gardens to include ponds, wilderness and a parterre. A garden mount– an artificial hill in Blickling’s flat landscape, was made to provide views of the new garden. With the accession of Sir John Hobart (later the 1st Earl of Buckingham) in 1698 the garden was expanded to add a new wilderness and the temple was constructed.

In the latter half of the 18th century John Hobart, 2nd Earl of Buckingham, embarked on works that would radically change the appearance of the gardens. All traces of formality were removed, and naturally arranged clumps of trees were planted to create a landscape garden. By the 1780s an orangery had been built to overwinter tender citrus trees. Following the 2nd Earl’s death in 1793, his youngest daughter Caroline, Lady Suffield, employed landscape gardener Humphry Repton and his son John Adey Repton to advise on garden matters. John Adey Repton would go on to provide designs for many garden features.

 

The estate was inherited by nine-year-old William Schomberg Robert Kerr, 8th Marquess of Lothian in 1840. He later re-introduced the formality and colour schemes of the parterre. After his death at the age of 38, responsibility for the gardens rested with Lady Lothian and her head gardener Mr Lyon. Philip Henry Kerr, 11th Marquis of Lothian, inherited the estate in 1930. After disparaging comments in a publication of Country Life, Lothian engaged socialite gardener Norah Lindsay to remodel the gardens. In the parterre she replaced the jumble of minuscule flower beds with four large square beds planted with a mixture of herbaceous plants in graduated and harmonious colours. Other improvements included removal of a line of conifers in the Temple walk, which were replaced with plantings of azaleas.

The garden today

The garden at Blickling covers 55 acres (22 ha) and contains formal and informal gardens, Grade II listed buildings and structures, woodland, specimen trees, Victorian garden ornaments, topiary, the kitchen garden .. and 18th century yew hedges.

The lawns which frame the main approach to the hall are bounded by yew hedges which were first recorded by William Freeman of Hamels in 1745. Surrounding the hall on three sides is the dry Moat. The plantings in the moist, sheltered conditions of the moat were considerably revised by Lindsay who introduced hosta, species of hydrangea, buddleja and rosemary.

To the rear of the hall is the noted Parterre garden which is located on the east lawn. Originally created as a Victorian sunken garden it was remodelled by Lindsay in the early 1930s. Set around an 18th-century listed stone fountain, she divided the garden into four large, colourful herbaceous beds surrounded by L shaped borders stocked with roses and catmint with an acorn shaped yew marking each corner.

 

In the terraces above the parterre there are plantings of peony, seasonal beds and the Double Borders created in 2006, contain a wide variety of perennials, shrubs and grasses with colours ranging from hot to cool. Close by, are the White and Black Borders which were established in 2009, together with a collection of eleagnus.

The western side of the garden features the lawned Acre which is fringed by a spreading oriental plane tree. Outdoor sports such as croquet are played here in the summer months. Further highlights are a collection of magnolia underplanted with autumn cyclamen, the shell fountain and the kitchen garden. To the north of the parterre is the Wilderness garden which is bisected by radial grassed avenues flanked with turkey oak, lime and beech trees and naturalised bulbs. The wilderness hides a Secret Garden with a summerhouse, scented plants and a central sundial.

Nearby is the listed 18th century orangery which houses a collection of citrus trees. Adjacent, to the building is the steep sided Dell which is home to many woodland plants including a selection of hellebore and foxglove. In 2009, an area of woodland was cleared close to the orangery to create a new garden. Stocked with a wide range of woodland plants including camellia and varieties of mahonia. Opened in 2010, it will be known as the Orangery Garden.

The Grade II listed Temple is approached by the Temple walk which is lined with azalea planted by Lindsay in her original 1930s design. Scattered throughout the garden are many garden ornaments including thirty pieces supplied to Lady Lothian in 1877 by Austin & Seeley of Euston Road, London.

Future projects include the creation of a philadelphus and rose garden. Both of which will be located in the Wilderness and open to the public in the near future .’ (Note – these have now been established and are open to the public- see pics below).

Further information:

National Trust Website

Wikipedia

Old School Gardener

Liz's avatarGwirrel's Garden

This week’s photo challenge is window… I’ve chosen a photo which symbolises where I wish I was right now. It’s no metaphor for my life, just simply I wish I was somewhere hot and sunny but I have another 9 months to wait.

So where would I rather be? The above photo was taken from the Torre de Belém in Lisbon, a tower built in the 18th century as part of the defence system at the mouth of the Tagus river. This window looks toward the Padrão dos Descobrimentos; Monument to the Discoveries, celebrating the Portuguese “Age of Discovery” during the 15th and 16th centuries.

Copyright 2013 Liz.
All rights reserved. Content created by Liz for Gwirrel’s Garden/a>

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PicPost: Seductive and Succulent

Rethinking Parks

Brooklyn Bridge Park, New York, USA

‘Over the next two years, Nesta, The Heritage Lottery Fund and The Big Lottery Fund will back a small number of pioneering innovations, with a focus on finding the new business models that will enable our parks to thrive for the next century.

For example, what if parks made the most of temporary installations to generate income – like open air cinemas, food festivals or art showcases? What if communities took on the maintenance of parks, or real-time user data from smartphones was used to inform maintenance regimes? 

If you’ve got an idea to reimagine the way your local park is used, maintained or run, we want to hear from you.’

The Garden- man made artifice?
The Garden- man made artifice?

‘Let us, then, begin by defining what a garden is, and what it ought to be. It is a piece of ground fenced off from cattle, and appropriated to the use and pleasure of man: it is or ought to be, cultivated and enriched by art, with such products as are not natural to this country, and consequently, it must be artificial in its treatment, and may, without impropriety, be so in its appearance; yet, there is so much of littleness in art, when compared with nature, that they cannot be well blended; it were, therefore, to be wished, that the exterior of a garden should be made to assimilate with park scenery, of the landscape of nature; the interior may then be laid out with all the variety, contrast, and even whim, that can produce pleasing objects to the eye.’

Humphry Repton- ‘Observations on the Theory and Practice of Landscape Gardening’, 1803

Hmmm. what do you think? Repton’s advice about blending the edges of a garden with it’s surrounding landscape has become a tenet of garden design, but what about his words on making the garden itself a clearly ‘man made’ feature? Is the phrase ‘natural garden’ a contradiction in terms?

Old School Gardener

PicPost: Plant Pallette

Brigid Jackson's avatararistonorganic

In keeping with the organic gardening concept, it is always preferable to seek natural solutions to garden problems such as pests and common diseases.. Should you have any ideas to share on this topic please send them to us for passing on to others.

Please also note that dish-washing liquid is called for in most of these ‘recipes’. It serves as a ‘wetter’ enabling the liquid solution to adhere to the plant for maximum effect. The environmentally friendly non-toxic dish-washing liquid is ideal for this purpose. snail

Insect Spray Concentrate

This is an all-purpose natural insecticide.

  • · 3 unpeeled garlic cloves 1 tablespoon dish-washing liquid
  • · 3 teaspoons of liquid paraffin 2 cups of hot water

In a small bowl, crush garlic heads and add paraffin. Leave to stand for 24 hours then add the dish-washing liquid to the mixture.

Sieve the mixture, discard the solid bits and store the liquid…

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Verbascum 'Kynaston'

Verbascum ‘Kynaston’

A genus of over 350 species, Verbascums are native to Europe, North Africa and Asia. Most of the species are biennial, though there are some annuals, perennials and sub shrubs and a few evergreens.

The perennials are often short-lived, dying after flowering, though they (like all species) are prolific self seeders. Verbascums mostly grow on open scrubland or dry hillsides, though some are found in open woodland. They like a sunny position with sharply drained soil.

Verbascums generally form a basal clump or rosette of leaves, these usually being large, soft and simple in shape, some with lobed or toothed edges. They produce one or a few spikes of flowers- these are densely packed and with saucer-shaped flowers. The flowers are individually short-lived, but are borne successively over along growing season. Flowers on hybrid cultivars are larger and showier.

Many Verbascums (or ‘mulleins’) grow quite tall (up to 3 metres) and need to be staked. Seedlings of named varieties will not grow true to their host, so these should be deadheaded before shedding their seed if you want to avoid a mixture of flower colours. The cultivars  ‘Gainsborough’, ‘Letitia and ‘Pink Domino’ have gained the Royal Horticultural Society’s ‘Award of Garden Merit’. Since the year 2000, a number of new hybrid cultivars have come out that have increased flower size, shorter heights, and a tendency to be longer-lived plants and a number have colour ranges not typical of the species.

Larger species can be left to naturalise in gravel or wild gardens, where they make impressive architectural plants, and will benefit from the support of adjacent plants. Smaller types are good in rock gardens, screes, or even walls. All Mulleins can be prone to mildew.

Vita Sackville-West wrote in 1936 that her Verbascums looked as though “a colony of tiny buff butterflies had settled all over them”. She described the colourings as “dusty, fusty, musty”. Verbascums have not changed much since then. The Cotswold Group about which she was writing are still grown, and there are others – for example ‘Megan’s Mauve’, and the new variety, ‘June Johnson’ – in which purple and apricot have become interwoven.

Verbascums make good partners for old roses (which they succeed in flower); in groups of plants with rounded or vase-shaped form to provide a contrast; or (where they are white-flowered) placed in front of softly coloured Hydrangeas.

Apart from propagation by seed, replacement plants can easily be grown from root cuttings. In March, scrape soil away from the roots area, take a knife and sever two or three fat, strong roots. Cut these into 4cm lengths and set them upright, individually, in small pots of potting soil with plenty of perlite mixed in. After three months in a frame and kept watered, each will have grown into a new plant.

Sources and further information:

Wikipedia

Verbascum.org

Growing Verbascums- Daily Telegraph

Plant guide- Fine Gardens

Rosy Hardy’s blogspot

Verbascum dumulosum- Kew Gardens

Old School Gardener

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